African Pianism: Illustrations from 'Ɣiawo Kple Ɣibɔawo' on the Utilisation of Solely the Black Keys on the Piano

Abstract

This article gives a narrative of the thought processes of a composer while composing ɣiawo kple ɣibɔawo a composition that explored the use of solely the white keys of the piano in a three-movement work and solely the black keys in another. It recounts his personal experiences during his research and creative process which was characterised by uncertainties, frustrations, and an eventual sense of victory. The illustrations offer a guide for listeners to think creatively through the music. It then presents an analysis of the second part of the composition which dealt solely with the black keys of the piano. The composition exemplifies Euba's theory of African pianism and Nketia's syncretic approach to contemporary African art music composition.